{"id":3268600,"date":"2024-06-12T10:27:16","date_gmt":"2024-06-12T08:27:16","guid":{"rendered":"https:\/\/cnm.fr\/?post_type=mini-site&#038;p=3268600"},"modified":"2026-02-26T10:12:10","modified_gmt":"2026-02-26T09:12:10","slug":"etudes-et-chiffres-cles","status":"publish","type":"mini-site","link":"https:\/\/cnm.fr\/en\/focus\/egalite-et-inclusion\/etudes-et-chiffres-cles\/","title":{"rendered":"\u00c9tudes et chiffres-cl\u00e9s"},"content":{"rendered":"<div class=\"alignfull wp-block-cnm-cnm-intro\">\r\n\r\n    <div class=\"wp-block-columns cnm-intro__hr\">\r\n        <div class=\"wp-block-column\">\r\n            <hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\r\n        <\/div>\r\n        <div class=\"wp-block-column\">\r\n            <hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\r\n        <\/div>\r\n    <\/div>\r\n\r\n    <div class=\"is-layout-flex wp-block-columns cnm-intro__columns\">\r\n\r\n        <div class=\"wp-block-column is-layout-flow \">\r\n\r\n                            <div \r\n                    class=\"cnm-intro__icon\" \r\n                >\r\n                    <i class=\"cnm-icon-spe-Inclusion\"><\/i>\r\n                <\/div>\r\n            \r\n            <div class=\"cnm-intro__thumb\">\r\n                            <\/div>\r\n        <\/div>\r\n        <div class=\"wp-block-column is-layout-flow \">\r\n            <div class=\"cnm-intro__content\">\r\n                \n<p>Retrouvez ici les enqu\u00eates et \u00e9tudes sur les questions d&#8217;\u00e9galit\u00e9 et d&#8217;inclusion en France et \u00e0 l&#8217;international.<\/p>\n            <\/div>\r\n        <\/div>\r\n        <div class=\"wp-block-column is-layout-flow \">\r\n                    <\/div>\r\n    <\/div>\r\n<\/div>\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"cnm-sommaire\">\r\n    <div class=\"cnm-sommaire__title\">SOMMAIRE<\/div>\r\n    <div class=\"cnm-sommaire__list\">\r\n        <ul>\r\n                                            <li>\r\n                    <a \r\n                        href=\"#cnm-ancre-en-france\"\r\n                        lang=''                    >\r\n                        EN FRANCE <i class=\"cnm-icon-ArrowBottom\"><\/i>\r\n                    <\/a>\r\n                <\/li>\r\n\r\n                                            <li>\r\n                    <a \r\n                        href=\"#cnm-ancre-a-linternational\"\r\n                        lang=''                    >\r\n                        \u00c0 L&#8217;INTERNATIONAL <i class=\"cnm-icon-ArrowBottom\"><\/i>\r\n                    <\/a>\r\n                <\/li>\r\n\r\n                    <\/ul>\r\n    <\/div>\r\n<\/div>\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-cnm-cnm-ancre\"><div id=\"cnm-ancre-en-france\" class=\"cnm-ancre\"><\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">EN FRANCE<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">CNM<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cnm.fr\/wp-content\/uploads\/2025\/04\/CNM-20250319_Place-des-femmes-dans-la-filiere-musicale_Publication.pdf\">Etude : La Place des femmes dans la fili\u00e8re musicale , publi\u00e9e en 2025<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/cnm.fr\/wp-content\/uploads\/2023\/03\/Etat-des-lieux-de-la-presence-des-femmes-dans-la-musique_CNM_2023.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Etat des lieux de la pr\u00e9sence des femmes dans la fili\u00e8re musicale,<\/a> publi\u00e9e en 2023 ; <\/li>\n\n\n\n<li><a href=\"https:\/\/cnm.fr\/wp-content\/uploads\/2021\/01\/20201023_Etude-CNM-octobre.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><u>\u00c9tude sur la pr\u00e9sence des femmes dans les festivals<\/u>, <\/a>publi\u00e9e en 2020.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">MINISTERE DE LA CULTURE <\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.culture.gouv.fr\/Thematiques\/Etudes-et-statistiques\/Publications\/Collections-d-ouvrages\/Observatoire-de-l-egalite-entre-femmes-et-hommes-dans-la-culture-et-la-communication\/Observatoire-2023-de-l-egalite-entre-femmes-et-hommes-dans-la-culture-et-la-communicationhttps:\/\/www.culture.gouv.fr\/fr\/espace-documentation\/statistiques-ministerielles-de-la-culture2\/publications\/collections-d-ouvrages\/observatoire-de-l-egalite-entre-femmes-et-hommes-dans-la-culture-et-la-communication\/observatoire-2025-de-l-egalite-entre-femmes-et-hommes-dans-la-culture-et-la-communication\" target=\"_blank\" rel=\"noreferrer noopener\">Observatoire 2025 de l&#8217;\u00e9galit\u00e9 entre femmes et hommes dans la culture et la communication<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.culture.gouv.fr\/fr\/espace-documentation\/statistiques-ministerielles-de-la-culture2\/publications\/collections-d-ouvrages\/observatoire-de-l-egalite-entre-femmes-et-hommes-dans-la-culture-et-la-communication\/observatoire-2024-de-l-egalite-entre-femmes-et-hommes-dans-la-culture-et-la-communication\" target=\"_blank\" rel=\"noreferrer noopener\">Observatoire 2024 de l&#8217;\u00e9galit\u00e9 entre femmes et hommes dans la culture et la communication<\/a> <\/li>\n\n\n\n<li><a href=\"https:\/\/www.culture.gouv.fr\/fr\/espace-documentation\/statistiques-ministerielles-de-la-culture2\/publications\/Collections-d-ouvrages\/Observatoire-de-l-egalite-entre-femmes-et-hommes-dans-la-culture-et-la-communication\/observatoire-2023-de-l-egalite-entre-femmes-et-hommes-dans-la-culture-et-la-communication\" target=\"_blank\" rel=\"noreferrer noopener\">Observatoire 2023 de l&#8217;\u00e9galit\u00e9 entre femmes et hommes dans la culture et la<span style=\"color: initial;font-family: var(--wp--preset--font-family--cnm)\"> <\/span>communication<\/a> <\/li>\n\n\n\n<li><a href=\"https:\/\/www.culture.gouv.fr\/fr\/espace-documentation\/statistiques-ministerielles-de-la-culture2\/publications\/Collections-d-ouvrages\/Observatoire-de-l-egalite-entre-femmes-et-hommes-dans-la-culture-et-la-communication\/Observatoire-2022-de-l-egalite-entre-femmes-et-hommes-dans-la-culture-et-la-communication\" target=\"_blank\" rel=\"noreferrer noopener\">Observatoire 2022 de l&#8217;\u00e9galit\u00e9 entre femmes et hommes dans la culture et la<span style=\"color: initial;font-family: var(--wp--preset--font-family--cnm)\"> <\/span>communication<\/a> <\/li>\n\n\n\n<li><a href=\"https:\/\/www.culture.gouv.fr\/fr\/espace-documentation\/statistiques-ministerielles-de-la-culture2\/publications\/Collections-d-ouvrages\/Observatoire-de-l-egalite-entre-femmes-et-hommes-dans-la-culture-et-la-communication\/Observatoire-2021-de-l-egalite-entre-femmes-et-hommes-dans-la-culture-et-la-communication\" target=\"_blank\" rel=\"noreferrer noopener\">Observatoire 2021 de l&#8217;\u00e9galit\u00e9 entre femmes et hommes dans la culture et la communication<\/a>.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">EGALITE, INCLUSION &amp; DIVERSITE<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><\/li>\n\n\n\n<li><strong>Elles Women Composers <\/strong><a href=\"http:\/\/Etude%20Compositrices%20quelle%20place%20dans%20les%20programmations%20fran\u00e7aises.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">\u00ab&nbsp;Compositrices, quelle place dans les programmations fran\u00e7aises&nbsp;?&nbsp;\u00bb<\/a>, publi\u00e9e en 2024.<\/li>\n\n\n\n<li><strong>SYNDEAC, <\/strong><a href=\"https:\/\/www.artcena.fr\/sites\/default\/files\/medias\/SYNDEAC-Livret-Comptage-femmes-2023.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Les \u00e9galit\u00e9s dans le spectacle public<\/a>, publi\u00e9e en 2023.<\/li>\n\n\n\n<li><strong>SNAM <\/strong>: \n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.snam-cgt.org\/blog\/2023\/03\/05\/enquete-sur-les-inegalites-femmes-hommes-dans-les-metiers-de-la-musique\/\" target=\"_blank\" rel=\"noreferrer noopener\">Enqu\u00eate sur les in\u00e9galit\u00e9s femmes\/hommes dans les m\u00e9tiers de la musique,<\/a> publi\u00e9e en mars 2023 ;<\/li>\n\n\n\n<li><a href=\"https:\/\/www.snam-cgt.org\/une-enquete-menee-aupres-de-328-musiciennes-met-en-lumiere-les-pratiques-discriminatoires-qui-nuisent-a-leur-insertion-professionnelle\/\" target=\"_blank\" rel=\"noreferrer noopener\">Enqu\u00eate sur les pratiques discriminatoires,<\/a> publi\u00e9e en 2019.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>AJC, Grands Formats, FNEIJMA, ADEJ, <\/strong>\u00c9tude sur la repr\u00e9sentation femmes-hommes dans le jazz et les musiques improvis\u00e9es,\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.opale.asso.fr\/IMG\/pdf\/etude-hf-jazz.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Etude publi\u00e9e en 2023<\/a> ;<\/li>\n\n\n\n<li><a href=\"https:\/\/www.opale.asso.fr\/IMG\/pdf\/etude-hf-jazz.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Etude publi\u00e9e en 2019<\/a>.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>Op\u00e9ra National de Paris<\/strong>, <a href=\"https:\/\/res.cloudinary.com\/opera-national-de-paris\/image\/upload\/v1612796873\/pdf\/ytqct0ielyf6gdgb9npu.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Rapport sur la diversit\u00e9 \u00e0 l&#8217;Op\u00e9ra National de Paris<\/a>, publi\u00e9e en 2021<\/li>\n\n\n\n<li><strong>AFO<\/strong>, <a href=\"https:\/\/france-orchestres.com\/egalite-des-genres\/\" target=\"_blank\" rel=\"noreferrer noopener\">L\u2019\u00e9galit\u00e9 femmes \/ hommes dans les orchestres membres de l\u2019AFO, <\/a>publication annuelle.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Adami, Afdas, Audiens, CNV, CSDEM, GAM, Prodiss, Sacem, Sc\u00e8nes, SCPP, SNEP, SPPF, UPFI,<\/strong> <a href=\"https:\/\/www.prodiss.org\/sites\/default\/files\/atoms\/files\/prodiss-femmes_1706_v2_0.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">\u00c9tude sur la place des femmes dans la musique et le spectacle vivant, <\/a>publi\u00e9e en 2019.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>FEDELIMA, RIF, Opale, <\/strong><a href=\"https:\/\/www.fedelima.org\/IMG\/pdf\/etude_fedelima_emploi_permanent_2018.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">\u00c9tude sur l&#8217;emploi permanent dans les lieux de musiques actuelles, <\/a>publi\u00e9e en 2018.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Paye ta note<\/strong>, <a href=\"https:\/\/payetanote.com\/on-compte\/\" target=\"_blank\" rel=\"noreferrer noopener\">ON COMPTE ? sur la r\u00e9partition femmes \u2013 hommes dans les secteur musical<\/a> de 2018 \u00e0 2022.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">HANDICAP<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>MESH, Musiques en Territoires,<\/strong> <a href=\"https:\/\/mesh.asso.fr\/wp-content\/uploads\/2024\/05\/Rapport_enquete_2024.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Musiques et handicaps<\/a>, publi\u00e9e en 2024.<\/li>\n\n\n\n<li><strong>Fondation Handicap<\/strong>, <a href=\"\/Users\/amina.diop\/Downloads\/Fondation-Malakoff-Humanis-Handicap-et-Culture-Rapport-Mai-2022-publie-V3.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">L&#8217;acc\u00e8s \u00e0 la culture des personnes en situation d&#8217;handicap<\/a>, publi\u00e9e en 2022.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Violences et Harc\u00e8lement Sexistes et Sexuels<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>SAFER<\/strong>: <a rel=\"noopener noreferrer\" target=\"_blank\" href=\"https:\/\/espace-safer.com\/wp-content\/uploads\/2025\/05\/ETUDE-SAFER-SYNTHESE.pdf\">Pr\u00e9venir, Prot\u00e9ger, Agir: l&#8217;impact du dispositif Safer sur les publics festivaliers<\/a>, publi\u00e9 en 2025<\/li>\n\n\n\n<li><strong>Au-del\u00e0 du club<\/strong> : <a rel=\"noopener noreferrer\" target=\"_blank\" href=\"http:\/\/(VERSION COMPL\u00c8TE) \u00c9TUDE BRISER LE CERCLE PAR ADDC ET RLN.pdf\">Briser le cercle : Visibiliser le continuum des violences sexistes, sexuelles et discriminations subies par les artistes et professionnel.les de l&#8217;\u00e9cosyst\u00e8me nocturne en France<\/a>, publi\u00e9 en 2025<\/li>\n\n\n\n<li><strong>STOURM | Collectif des festivals <\/strong>: <a rel=\"noopener noreferrer\" target=\"_blank\" href=\"https:\/\/www.lecollectifdesfestivals.org\/collectif\/2024\/10\/resultats-enquete-vss-festivals\/\">La f\u00eate appartient-elle aux hommes ? Rapport d&#8217;enqu\u00eate sur les VSS en festival<\/a> publi\u00e9 en 2025<\/li>\n\n\n\n<li><strong>Marie Buscatto, <\/strong><a href=\"https:\/\/theconversation.com\/lopera-un-univers-propice-aux-violences-sexistes-et-sexuelles-222421?utm_medium=email&amp;utm_campaign=La%20lettre%20de%20The%20Conversation%20France%20du%206%20mars%202024%20-%202899229446&amp;utm_content=La%20lettre%20de%20The%20Conversation%20France%20du%206%20mars%202024%20-%202899229446+CID_457d05131f9b1d434b8566fd95afe638&amp;utm_source=campaign_monitor_fr&amp;utm_term=Lopra%20un%20univers%20propice%20aux%20violences%20sexistes%20et%20sexuelles\" target=\"_blank\" rel=\"noreferrer noopener\">L\u2019op\u00e9ra, un univers propice aux violences sexistes et&nbsp;sexuelles&nbsp;?<\/a><strong>, <\/strong>publi\u00e9 en 2024 ;<\/li>\n\n\n\n<li><strong>Collectif CURA et la GAM<\/strong>, <a href=\"https:\/\/www.cura-music.org\/_files\/ugd\/19010c_67b4a004ccaa41f182bc29126f2d4908.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">\u00c9tude sur les risques psycho-sociaux, la pr\u00e9carit\u00e9, les violences sexistes et sexuelles dans les musiques actuelles<\/a>, publi\u00e9e en 2022.<\/li>\n\n\n\n<li><strong>Collectif CURA et la GAM<\/strong>, <a href=\"https:\/\/lagam.org\/enquete-sante-industrie-musicale\" target=\"_blank\" rel=\"noreferrer noopener\">Enqu\u00eate exploratoire sur la sant\u00e9 &amp; le bien-\u00eatre dans l\u2019industrie musicale, <\/a>publi\u00e9e en 2019.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\" \/>\n\n\n\n\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-cnm-cnm-ancre\"><div id=\"cnm-ancre-a-linternational\" class=\"cnm-ancre\"><\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">\u00c0 L&#8217;INTERNATIONAL<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">EGALITE, INCLUSION &amp; DIVERSITE<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">EUROPE<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Impala <\/strong>\n<ul class=\"wp-block-list\">\n<li><a rel=\"noopener noreferrer\" target=\"_blank\" href=\"https:\/\/impalamusic.org\/impalas-fourth-equity-diversity-and-inclusion-report-progress-challenges-and-future-actions-in-the-independent-music-sector\/\">lnclusion Report<\/a>, publi\u00e9e en 2024 &nbsp;<\/li>\n\n\n\n<li><a style=\"font-family: cnm, sans-serif\" href=\"https:\/\/www.impalamusic.org\/wp-content\/uploads\/2022\/05\/Towards-a-more-diverse-and-inclusive-independent-music-sector.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Towards a more diverse and inclusive independent music sector, <\/a><span style=\"color: initial\">publi\u00e9e en 2022 ;<\/span><\/li>\n\n\n\n<li><a href=\"https:\/\/www.impalamusic.org\/wp-content\/uploads\/2022\/10\/IMPALA-Annual-report-on-Equity-Diversity-and-Inclusion-2021-2022.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Annual report onn equity, diversity and inclusion<\/a>, publi\u00e9e en 2022.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>SHERAPS<\/strong>: <a rel=\"noopener noreferrer\" target=\"_blank\" href=\"https:\/\/rappeusesenliberte.com\/sheraps\/\">Pratique f\u00e9minine du rap, dispositifs d&#8217;accompagnement et \u00e9cosyt\u00e8mes professionnels en Europe<\/a> publi\u00e9 en 2025 <\/li>\n\n\n\n<li><strong>European Expert Network on Culture and Audiovisual<\/strong>, <a href=\"\/Users\/amina.diop\/Downloads\/gender%2520gaps%2520in%2520the%2520cultural%2520and%2520creative%2520sectors-NC0121282ENN.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Gender gaps in the Cultural and<\/a> <a href=\"https:\/\/eenca.com\/eenca\/assets\/File\/EENCA%20publications\/Final%20Report%20-%20Gender%20in%20CCS%20EAC.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Creative Sectors (with the exception of the audiovisual sector), <\/a>publi\u00e9e en 2022.<\/li>\n\n\n\n<li><strong>European Union, <\/strong><a href=\"\/Users\/amina.diop\/Downloads\/towards%2520gender%2520equality%2520in%2520the%2520cultural%2520and%2520creative-NC0220500ENN.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Towards gender equality in the cultural and creative sectors, <\/a>publi\u00e9e en 2021.<\/li>\n\n\n\n<li><strong>Keychange, Fondation Malisa<\/strong>, <a href=\"https:\/\/cnm.fr\/wp-content\/uploads\/2021\/10\/Final-Report-Keychange-2021_EN_1.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Study on gender diversity in the music industry and in music usage, <\/a>publi\u00e9e en 2021.<\/li>\n\n\n\n<li><strong>Voices of Culture<\/strong>, <a href=\"https:\/\/voicesofculture.eu\/wp-content\/uploads\/2020\/02\/VoC-Brainstorming-Report-Gender-Balance-in-the-Cultural-and-Creative-Sectors.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Brainstorming Report Gender Balance in the Cultural and Creative Sectors, <\/a>publi\u00e9e en 2019.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Reset Network<\/strong><a rel=\"noopener noreferrer\" target=\"_blank\" href=\"https:\/\/reset-network.eu\/wp-content\/uploads\/2025\/04\/Study-Miriam-Amina-Fofana_LongVersion.pdf\"> Creative Europe Networks and BIPoC Representation: Bridging Gaps and Breaking Barriers \u2014 Study &amp; Guid<\/a>e publi\u00e9 en 2025<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Scivias,<\/strong> (Belgique)\n<ul class=\"wp-block-list\">\n<li><a rel=\"noopener noreferrer\" target=\"_blank\" href=\"https:\/\/scivias.be\/wp-content\/uploads\/2024\/10\/RapportScivias2024.pdf\">O\u00f9 sont les femmes et les minorit\u00e9s de genre au sein des festivals belges ?<\/a>, publi\u00e9e en 2024 ;<\/li>\n\n\n\n<li><a href=\"https:\/\/drive.google.com\/file\/d\/12EXFj8Rmgx0MKoZgT6G3n-9DyWGP93vi\/view\" target=\"_blank\" rel=\"noreferrer noopener\">O\u00f9 sont les femmes et les minorit\u00e9s de genre ?<\/a>, publi\u00e9e en 2023 <\/li>\n\n\n\n<li><a href=\"https:\/\/drive.google.com\/file\/d\/1eBsrAKJ5jtHmdkyMFWc3wAUrjswvCjpE\/view\" target=\"_blank\" rel=\"noreferrer noopener\">O\u00f9 sont les femmes et les minorit\u00e9s de genre ?<\/a>publi\u00e9e en 2022.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>(Italie) <strong>DONNE<\/strong>, <a rel=\"noopener noreferrer\" target=\"_blank\" href=\"https:\/\/donne-uk.org\/research\/\">Equality &amp; Diversity in Global Repertoire<\/a>, publi\u00e9e en 2024.<\/li>\n\n\n\n<li>(Pays-Bas) <strong>Nikita van Hunnik<\/strong>, <a href=\"https:\/\/studenttheses.uu.nl\/bitstream\/handle\/20.500.12932\/44756\/NikitaVanHunnik_Thesis_Towards_Inclusive_Gatekeeping.pdf?sequence=1&amp;isAllowed=y\" target=\"_blank\" rel=\"noreferrer noopener\">Developing theoretical tools for inclusion in the music industries<\/a>, publi\u00e9e en 2023.<\/li>\n\n\n\n<li>(Espagne) <strong>Mim, YouGov, <\/strong><a href=\"https:\/\/asociacionmim.com\/wp-content\/uploads\/2022\/11\/II-ESTUDIO-MIM-Igualdad-de-Genero-Industria-Musical-2022.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Estudio sobre la Igualdad de G\u00e9nero en la Ind\u00fastria de la M\u00fasica, <\/a>publi\u00e9e en 2022.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">ROYAUME UNI \/ GRANDE BRETAGNE<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Wmen in ctrl <\/strong>: <a rel=\"noopener noreferrer\" target=\"_blank\" href=\"https:\/\/womeninctrl.com\/sattliveedition\/\">SEAT AT THE TABLE : Benchmarking gender &amp; ethnicity representation in UK live music leadership<\/a><\/li>\n\n\n\n<li><strong>Help Musicians | Musicians&#8217; Union<\/strong> : <a rel=\"noopener noreferrer\" target=\"_blank\" href=\"https:\/\/static1.squarespace.com\/static\/6398a2cf26f9de4e45e94dd7\/t\/65c34777187a2f23f895de59\/1707296650365\/LGBT_+Musicians+Report.6cs.pdf\">Musicians&#8217; Census : LGBTQ+  Musicians Insight Report<\/a>, publi\u00e9 en 2024<\/li>\n\n\n\n<li><strong>UK Music :<\/strong>\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.ukmusic.org\/equality-diversity\/uk-music-diversity-report-2022\/\" target=\"_blank\" rel=\"noreferrer noopener\">Diversity Report<\/a>, publi\u00e9e en 2022 ;<\/li>\n\n\n\n<li><a href=\"https:\/\/www.ukmusic.org\/wp-content\/uploads\/2021\/11\/Moving-The-Dial-On-Diversity.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Moving the dial on diversity<\/a>, publi\u00e9e en 2021.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>Black Lives in Music<\/strong>, <a href=\"https:\/\/blim.org.uk\/report\/\" target=\"_blank\" rel=\"noreferrer noopener\">Being black in the UK music industry<\/a>, publi\u00e9e en 2021.<\/li>\n\n\n\n<li><strong>British Council,<\/strong> <strong>On the Move<\/strong>, <a href=\"https:\/\/on-the-move.org\/sites\/default\/files\/library\/2021-12\/OTM_time-to-act-executive-summary_2021-12_FR.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Comment le manque de connaissances cr\u00e9e des obstacles pour les artistes et les publics en situation de handicap<\/a>, publi\u00e9e en 2021.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">AMERIQUE DU NORD (ETATS-UNIS \/ CANADA)<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Jo\u00eblle Bissonnette et Line Grenier<\/strong> : <a rel=\"noopener noreferrer\" target=\"_blank\" href=\"https:\/\/umontreal.scholaris.ca\/server\/api\/core\/bitstreams\/1d985dcc-7970-47cc-ad72-32d62d4b3dcf\/content\">Ces vieillissements qui nous concernent : trajectoires de femmes dans les industries musicales canadiennes francophones <\/a>, publi\u00e9 en 2025<\/li>\n\n\n\n<li><strong>SONG DATE<\/strong> :<a rel=\"noopener noreferrer\" target=\"_blank\" href=\"https:\/\/songdata.ca\/wp-content\/uploads\/2024\/06\/SD_PartageonsLesOndesREPORT_finalFR.pdf\"> Partageons les ondes : la repr\u00e9sentativit\u00e9 sur les ondes de radio canadiennes (2013-2023)<\/a><\/li>\n\n\n\n<li><strong>Conseil des arts du Canada, La Perc\u00e9e,<\/strong> <a rel=\"noopener noreferrer\" target=\"_blank\" href=\"https:\/\/lapercee.ca\/wp-content\/uploads\/2023\/07\/LaPercee_rapport_final_ecran_juin2023-1.pdf\">Valoriser les musiciens et musiciennes de la diversit\u00e9 et accro\u00eetre la d\u00e9couvrabilit\u00e9 de leurs musiques \u00e0 l\u2019\u00e8re des plateformes num\u00e9riques<\/a>, publi\u00e9e en 2023.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>The UCS Annenberg Inclusion Initiative <\/strong>(US) <strong>:<\/strong><ul><li><a href=\"https:\/\/assets.uscannenberg.org\/docs\/aii-inclusion-recording-studio-20240130.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Inclusion in the Recording Studio ?<\/a>, publi\u00e9e en 2025<\/li><\/ul>\n<ul class=\"wp-block-list\">\n<li><a rel=\"noopener noreferrer\" target=\"_blank\" href=\"https:\/\/annenberg.usc.edu\/news\/research-and-impact\/tilted-top-music-executives-are-still-primarily-white-and-male\">Inclusion in the Music Business<\/a>, publi\u00e9e en 2025<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><ul><li><a href=\"https:\/\/assets.uscannenberg.org\/docs\/aii-inclusion-recording-studio-20240130.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Inclusion in the Recording Studio ?<\/a>, publi\u00e9e en 2024 ;<\/li><\/ul>\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/assets.uscannenberg.org\/docs\/aii-inclusion-recording-studio2021.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Inclusion in the Recording Studio ?<\/a>, publi\u00e9e en 2021 ;<\/li>\n\n\n\n<li><a href=\"https:\/\/assets.uscannenberg.org\/docs\/inclusion-in-the-recording-studio.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Inclusion in the Recording Studio?, <\/a>publi\u00e9e en 2018.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>REMAP <\/strong>:<a rel=\"noopener noreferrer\" target=\"_blank\" href=\"https:\/\/lcrmusicboard.co.uk\/remap-report-unveiled\/\"> Reporting on the Creative and Professional Experiences of Black Music Makers and Practicioners Living and Working in the Liverpool City Region<\/a>, publi\u00e9 en 2024<\/li>\n\n\n\n<li><strong>Berklee Institute for Creative Entrepreneurship, Berklee Office of Institutional Research and Assessment, et Women in Music (WIM)<\/strong>, <a href=\"https:\/\/college.berklee.edu\/sites\/default\/files\/d7\/bcm\/Women%20in%20the%20U.S.%20Music%20Industry%20Report.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Women in the U.S. Music Industry: Obstacles and Opportunities, <\/a>publi\u00e9e en 2019<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">MONDE<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Believe,<\/strong> <strong>Midia Research, Tunecore <\/strong>(Monde)<strong> : <\/strong>\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.tunecore.com\/be-the-change\" target=\"_blank\" rel=\"noreferrer noopener\">Be The Change : Gender Equity in Music<\/a>, publi\u00e9e en 2024 ;<\/li>\n\n\n\n<li><a href=\"https:\/\/www.midiaresearch.com\/reports\/be-the-change-women-in-music-2022\" target=\"_blank\" rel=\"noreferrer noopener\">Be The Change : Women Making Music, <\/a>publi\u00e9e en 2022 ;<\/li>\n\n\n\n<li><a href=\"https:\/\/midiaresearch.com\/reports\/be-the-change-women-making-music?utm_source=MIDiA%2BResearch%2BNewsletter&amp;utm_campaign=1a1c35b65c-PANDEMIC_PROGRAMMING_INVITE_21_10_2020_COPY_01&amp;utm_medium=email&amp;utm_term=0_8602b921cd-1a1c35b65c-523314575\" target=\"_blank\" rel=\"noreferrer noopener\">Be The Change: Women Making Music, <\/a>publi\u00e9e en 2021.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>The Representation Project :<\/strong> <a rel=\"noopener noreferrer\" target=\"_blank\" href=\"https:\/\/therepproject.org\/wp-content\/uploads\/2024\/02\/SOUND-OFF-Make-the-Music-Industry-Safe-Report-February-2024.pdf\">Sound Off : Make The Music Industry Safe Report <\/a>publi\u00e9 en 2024<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">HANDICAP<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a rel=\"noopener noreferrer\" target=\"_blank\" href=\"https:\/\/attitudeiseverything.org.uk\/next-stage-snapshot-insights-from-music-creators-with-access-needs\/#pc\">Next Stage Snapshot : insights from music creators with access needs<\/a><\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Violences et Harc\u00e8lement Sexistes et Sexuels<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>The Female Composer Safety League, The Representation Project, The Punk Rock Therapist,&nbsp;<\/strong><a href=\"https:\/\/therepproject.org\/wp-content\/uploads\/2024\/02\/SOUND-OFF-Make-the-Music-Industry-Safe-Report-February-2024.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Make the music industry safe report<\/a>, publi\u00e9e en 2024.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>UK Parliament, Women and Equalities Committee<\/strong> <a rel=\"noopener noreferrer\" target=\"_blank\" href=\"https:\/\/publications.parliament.uk\/pa\/cm5901\/cmselect\/cmwomeq\/573\/report.html\">Misoginy in music : on repea<\/a>t publi\u00e9 en 2025<\/li>\n\n\n\n<li><strong>House of Commons <\/strong><a href=\"https:\/\/committees.parliament.uk\/publications\/43084\/documents\/214478\/default\/\" target=\"_blank\" rel=\"noreferrer noopener\">Misoginy in music<\/a>, publi\u00e9e en 2024.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Shift Culture,&nbsp;<\/strong><a href=\"https:\/\/shift-culture.eu\/wp-content\/uploads\/2022\/01\/SHIFT_Publication_Gender-and-Power-Relations.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Gender and power relations, #MeToo in the Arts<\/a>, publi\u00e9e en 2022.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>female:pressure, <\/strong><a href=\"https:\/\/www.wah-egalite.org\/download\/facts-survey-2020\/?wpdmdl=7020&amp;refresh=5f6ccb0179e4c1600965377\" target=\"_blank\" rel=\"noreferrer noopener\">L&#8217;enqu\u00eate FACTS Female pressure, <\/a>publi\u00e9e en 2020.<\/li>\n<\/ul>\n\n\n\n\n\n\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n","protected":false},"excerpt":{"rendered":"<p>EN FRANCE CNM MINISTERE DE LA CULTURE EGALITE, INCLUSION &amp; DIVERSITE HANDICAP Violences et Harc\u00e8lement Sexistes et Sexuels \u00c0 L&#8217;INTERNATIONAL EGALITE, INCLUSION &amp; DIVERSITE EUROPE ROYAUME UNI \/ GRANDE BRETAGNE AMERIQUE DU NORD (ETATS-UNIS \/ CANADA) MONDE HANDICAP Violences et Harc\u00e8lement Sexistes et Sexuels<\/p>\n","protected":false},"featured_media":0,"parent":953167,"menu_order":4,"template":"","class_list":["post-3268600","mini-site","type-mini-site","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u00c9tudes et chiffres-cl\u00e9s - Le CNM : Centre national de la musique<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cnm.fr\/focus\/egalite-et-inclusion\/etudes-et-chiffres-cles\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00c9tudes et chiffres-cl\u00e9s - Le CNM : Centre national de la musique\" \/>\n<meta property=\"og:description\" content=\"EN 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