Our studies focus on the French domestic market.
Foresight study on the French music livestreaming market
Although it emerged as early as 2007, when the broadcasting of live videos on the Internet was made possible, music livestreaming, did not develop strongly until the 2020-2021 health crisis, when concert venues were closed. However, demand has remained high since they reopened.
The development of livestreaming is bringing new economic models and new players to the fore, and raising new questions about legal framework, public demand, business model and value proposition.
Arcom and the National Music Centre (CNM) joined forces to carry out a study on the development potential of the livestreaming sector and on current and future practices.
Since January 1st, 2021, the UK has left the European Union.
The EU-UK Trade and Cooperation Agreement concluded between the EU and the UK on December 24, 2020 sets out new rules regarding transporting and moving goods and people from the UK to France and from France to the UK.
These guidances outline the changes and rules in force concerning the movement and exercise of activity of British nationals entering France and of French nationals entering the UK since 1 January 2021.
The CNM has certified 2020’s ‘made in France’ export successes, demonstrating the strength of the French industry and its artists on the global stage.
The CNM publishes a study on the impact of a possible change in the way artists and rights holders are remunerated by streaming platforms.